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23 May 2014

Eventful

It's been a while since I last posted on Blood Lines, but fear not, faithful readers; things are about to pick up around here, starting with some info on upcoming Cons.

For Vampire Diaries fans, there are three unofficial TVD-themed events to look forward to.

If you're lucky enough to be in Rome, Italy, on the weekend of 30 May to 1 June check out Love & Blood ItaCon 2.0, a Vampire Diaries & The Originals fan gathering. Guests include Paul Wesley, Steven R McQueen, Matt Davis, and Nathaniel Buzolic.

More info here.


On the other hand, if from 31 May to 1 June you're in Rio de Janeiro, Brazil, you might want to attend Vampire Attraction Con. I don't speak Portuguese so I couldn't read the info (hint, guys: include a translation option on your site), but I did gather that the featured guests are Ian Somerhalder, Kat Graham, and Rick Cosnett.

More info here.

Lastly, from 13-15 June, Insurgence 6 is taking place in Birminham, UK. Guests include Paul Wesley, Steven R McQueen, Rick Cosnett, Zach Roerig, Todd Stashwick, and Michael Malarkey.

More info here.

Each of these cons offers its own unique activities but you can generally count on photo ops, meet & greets, and autograph opportunities. Also be aware that the scheduled guests are subject to change.

Anyone looking for an event with a wider scope should definitely plan to attend Terror Con, taking place in Providence, Rhode Island, from 7 to 6 June.



Terror Con features tons of guests from all branches of horror, sci fi, fantasy, and the paranormal (and for some reason professional wrestling), but the vampire-specific ones include Nicholas Brendan (Buffy), Fred Williamson (From Dusk Til Dawn), Vincent M Ward (True Blood), and Bobby Campo (Being Human).

A highlight of Terror Con has to be Karaoke with Nicholas Brendan. How perfectly Xander is that? The Scoobies would definitely approve.


There are also going to be psychic readings, panels, a costume contest, a live sideshow, and a film festival.

More info here.

25 January 2013

Greetings From the Hell Mouth

When I say greetings from the hell mouth, I don't mean so much a physical location as a state of mind. But rather than get into that I'll just point you in the direction of this shirt, available from Shirt Punch until midnight tonight. I'm not affiliated with this company, but I do buy a lot of shirts from them and am a fan, so they get the Blood Lines seal of approval. Of course I've already ordered my Sunnydale shirt, as well as these past vamp-themed designs:


All designs are also available in hoodies, buttons, posters and a slew of other products. By the way, you can expect to start seeing regular(ish) posts on Blood Lines once more. Huzzah!

20 March 2012

True Blood S4 E9 "Let's Get Out of Here"

Spoilers Ahead

I love this episode of True Blood, if for no other reason than Sookie's dream. What was so great about her dream, you ask? We'll get to that later. In the meantime...

"Let's Get Out of Here" begins with Alcide carrying Sookie's unconscious body back to her place and away from Antonia and her gang of witches (refresh your memory here). Suddenly a blur speeds by, taking her with it. The blur turns out to be Bill and by the time Alcide catches up, Bill is already trying to feed Sookie his blood. The problem is she's not taking it and she barely has a pulse. Come on, Sookie--if you can survive vampires, fairies, fanatical humans, maenads, and werewolves a little bullet shouldn't be a problem. But it's nice to see that Bill still really cares about her.

Meanwhile the witches responsible for all the trouble are back at the magic shop in a state of chaos. Most of them are upset with Antonia for not trying to make peace with Bill and they want out. Only Roy--clearly a guy with no life and less personality--still thinks the whole thing is awesome. As her minions rebel, Antonia's crazy starts coming out. She threatens anyone who tries to leave and informs them they'll be paying a visit to the next night's pro-vampire Festival of Tolerance, bringing Eric (who is still under her control) along to show what vampires are capable of. I'm guessing it won't be a showcase of their healing abilities and sexual prowess.

Back at Sookie's place all the drama seemed to be for naught as she wakes up completely fine. I guess Bill's blood finally took. I find it a little weird that all she cares about is finding Eric--she doesn't ask if anyone else is okay or care that she almost died (again). At least she thanks Bill for the blood. Her priorities drive Alcide to leave in disgust (can't really blame him).

When Alcide gets home Debbie pretends to be asleep. Aside from Debbie's eyes wolfing out as she smells Sookie on Alcide the most significant portion of this scene is Alcide's naked butt. Holy hell, how much does that man work out? Totally gratuitous nudity but I don't think anyone's complaining.

Anyway, the next time we see Debbie she's buying and downing a vial of V. She then heads over to Sookie's house, brandishing a bouquet of flowers. Sookie warily lets her in and there's a beautiful shot of the flowers in a vase bathed in light while in the foreground the women sit at the table talking in shadow. I wish I could get a copy of that and have it framed. Debbie asks Sookie if she can help her and she's apparently sincere. When Sookie listens in on Debbie's thoughts she doesn't hear any deception so she accepts Debbie's offer.

Debbie's next stop is the magic shop, where she offers the allegiance of the Shreveport wolf pack to Antonia's cause. While this is happening, Sookie is sneaking in not-so-stealthily through the back. All the other witches are sleeping on the floor in the back room. Although why they're sleeping when it doesn't seem to be particularly late is beyond me. Sookie then finds Eric in a storeroom. He realizes he's under a spell although he can't do anything about it and he tells Sookie his orders are to kill the King (aka Bill) at the Festival of Tolerance. So Antonia's big plan is to have one vampire kill another vampire in order to prove that vampires are vicious and humans should hate and fear them? Right. While Sookie is still figuring out what to do, Tara is suddenly there pointing a gun at her.

Instead of distracting Antonia from what's happening behind her, Debbie announces she's brought Sookie to her and points out that Tara's got her cornered. Antonia shouts to Tara not to shoot Sookie--she could be useful. Tara berates Sookie but tips her off to listen to her thoughts, where she tells Sookie they're being held hostage and that Bill is at the Dorchester Hotel. Then she silently orders Sookie to charge her, which she does and escapes while Tara lets the gun go off as though she was defending herself. Antonia turns back to Debbie, only to find she's gone. Angry, Antonia announces that she, Roy, and Eric are leaving. Then she magically locks all the witches inside the shop. I love this next part. When Tara grabs a doorknob to try to leave she badly burns her hand. So what happens next? Another witch runs to another door and grabs the knob, badly burning her hand. These people clearly aren't the brightest bunch. We leave them in a panic.

The Festival of Tolerance seems to mostly involve humans telling heartwarming stories about vampires to other humans. Wow--festive. Things start getting interesting, however, when Eric shows up. He lures the vampire guards into the hotel's kitchen, where Antonia is waiting to put the whammy on them. Then, just as Bill is about to give a speech, the enchanted vampires very publicly rip the hearts out of Bill's human guards. Sookie arrives at this point and, just as Eric jumps off the balcony toward Bill, she screams at him to run.

In other happenings, Sam impresses Luna by taking her and Emma on an impromptu camping trip as a way of getting away from Marcus without running away. His stock rises even more when he shifts into a bunny because Emma desperately wants to pet one and the wild bunnies aren't cooperating. Guess that's why Luna decides to share a tent with Sam. And the nice guy gets the girl.

Tommy, meanwhile is leaving a goodbye note for Sam at the bar when Marcus comes in with an attitude looking for Sam. Tommy isn't averse to giving attitude right back and when Marcus leaves his card and a message that Sam had better meet him tonight or else, it's pretty obvious that Tommy is going to be the one taking him up on his invitation. And he does, in the guise of Sam. Anyone who actually knows Sam would know this wasn't him, but, of course, no one at the garage does. Tommy goads Marcus, along with most of the other weres, into attacking him. Only Alcide holds back and tries to stop what's happening. Tommy ends up so badly beaten that he reverts to his own form, at which point Marcus finally seems to care that he and his buddies were ganging up on one smallish guy (but it was the wrong guy). Alcide grabs Tommy and carries him out of the place.

Hoyt is occupied with hating Jessica. He packs up her stuff and repeatedly calls her a monster. I'm not sure what his problem is or why he's so bitter about her biting him--I seem to recall he wanted her to bite him. I'm also pretty sure he was fully aware of what he was getting into when he moved in with her. Did he envision some 1950s idyll, with the big, strong man coming home from a hard day's work while his apron-clad vampire wife waits in their spotless house with a hot dinner and a cold beer? If so he should've married that girl his momma tried to set him up with. Perhaps that's just what he's pondering when a possessed Lafayette shows up with Arlene and Terry's baby and chases Hoyt out of the house (pantsless) at gunpoint. Bon Temps is such a fun place to live.

When Hoyt calls Jason he's already at the Bellefleurs', dealing with a hysterical Arlene who's convinced that Rene stole the baby, and a V-addicted Andy who's steadily growing out of control. He manages to drag Andy to Hoyt's place where they soon discover that Lafayette is now "Mavis" and she isn't afraid to shoot at anyone who gets too close. The situation gets even more chaotic when Terry and Arlene show up against Jason's orders. Terry's ready to stage a military incursion to get his baby back but Jason manages to hold him off and shows that he's continuing to get smarter when he sends for Jesus.

When Jesus arrives he immediately realizes what's going on. He talks to Mavis and helps her understand that she's dead and the baby she's holding isn't hers. Then he promises to use magic to try to help her hold her baby one last time. They leave the house and Mavis returns Mikey to Arlene, apologizing as she does. They forgive her (technically they forgive Lafayette), which is more than I think I'd do. Then Mavis and Jesus head back to a tree on the property where she thinks her baby is buried. It doesn't take long for the woman's skeleton to be unearthed along with the baby's. When Jesus hands the baby skeleton to Mavis, her spirit leaves Lafayette and suddenly she's standing in front of everyone holding one of the cutest babies I've ever seen. She thanks Lafayette for helping her and then they're gone. Too bad--I'm going to miss that wacky Creole ghost. Meanwhile everyone else believes they've just witnessed a miracle.

Once things are back to normal, Hoyt asks Jason to take Jessica's things back to her. Jason's reluctant but Hoyt basically guilts him into it. Can we have the old Hoyt back please? He was a sweetheart. Current Hoyt just seems to be a selfish jerk. Seriously--when did Jason become the sweet one? As he drops the box of her things off to Jessica, he tells her he's there for her if she ever needs to talk. But when she asks him if he wants to come in he says it's not such a good idea. Of course, he doesn't really make a move to leave, either. The next thing we know they're having sex in the back of his truck. I have a bad feeling about this.

And now for that lovely dream I mentioned. In it Eric shows up at Sookie's place during the day. As she's marvelling at that, Bill is suddenly there. Of course as rival alpha men are wont to do they start fighting. Sookie then steps in, stops them, and takes control of the dream. Sookie claims that the fact she's there with both of them means something. Then she announces that she loves them both and doesn't want to belong to either of them--instead they should both belong to her. Hell, yes! She also points out the double standard in that a man who has a threesome with two women he barely knows is applauded but a woman who wants to be in a relationship with two men she loves is basically called a whore. Yup. I think I finally like Sookie (and Anna Paquin too, who I believe adheres to this philosophy in real life). I can never understand all the drama of love triangles (the solution seems so simple), or the Victorian-era morality modern society still clings to (which, by the way, even Victorians didn't adhere to behind closed doors). I really hope her dream spills over into reality and that, as in the dream, both vampires are willing to be part of such a relationship. I also have to mention that the two of them biting her simultaneously in the dream is just totally hot. Lucky, lucky girl.

The season is starting to wind down and for now there's no end in sight to Antonia's malevolent hold over the vampires. I wonder if Eric will manage to kill anyone (Nan maybe, hopefully not Bill). I have no idea how or if Eric will get his memory back or whether Pam will stop rotting (by the way, what happened to her at the cemetery? She just disappeared...) And will Sookie get her dream relationship? I truly hope so but all still remains to be seen.

Fang Files

Appearance: Pale human with red-rimmed eyes and snakelike fangs that descend or retract at will (or when the vampire is excited). They cry blood.

Strengths: Super speed and strength. Their blood heals humans.

Weaknesses: Magic. Silver, sunlight.

Mythology: Vampire society is highly hierarchical with Kings and Queens presiding over Sheriffs, Nan Flanagan and the American Vampire League presiding over Kings and Queens, and the mysterious Authority ruling over all. Vampire blood (V) is a highly addictive and illegal drug for humans (although why Sookie can drink mass quantities of it and not get sick or addicted remains a mystery).

Sound Bites

Bill: [to Alcide] Werewolf, I'm going to need you to shut the fuck up.

Nan Flanagan: There have been times, I'll admit, when it's occurred to me that maybe I should put my career on hold and become a maker. But these last several hours here with you have erased those doubts forever.
Jessica: You're nothing like you are on TV.
Nan Flanagan: Oh, thanks.

Sookie: [to Bill and Eric] I'm saying I love you, both of you. And I'm asking you to love me back. Together.

True Blood, Season 4 Episode 9 "Let's Get Out of Here." Written by Brian Buckner. Directed by Romeo Tirone. From HBO.

19 March 2012

Dark Shadows Trailer




Johnny Depp (as usual) looks great in this. The rest of it, not so much. Fish out of water vampire? Sigh. I know I'll get flak for criticizing Saint Burton but his movies are increasingly becoming more about style than substance (that's not really new but it's getting excessive now). And can he make any movies anymore that aren't remakes (and mostly mediocre ones, at that)? In addition I have to mention how tired I am of seeing Helena Bonham Carter in every single movie he makes. Yeah, you're in a relationship with her--we get it. Honestly, I miss Lisa Marie. I think Dark Shadows would have been better off in someone else's hands.

23 February 2012

Bram Stoker International Film Festival


Bram Stoker International Film Festival - Whitby, England from Bram Stoker Film Fest on Vimeo.

If you're wondering whether it's worth the trip to Whitby (England) this October for what has been described as the "best genre festival in the world" then this video might help.

More info on the festival here.

14 February 2012

Abraham Lincoln: Vampire Hunter Trailer




This. Looks. Awesome. And you definitely can't go wrong with a voiceover by Johnny Cash. June 22 can't come soon enough.

02 February 2012

Being Human (UK) S1 E5

Spoilers Ahead

Just when everything was going so well suddenly it seems like it's all about to fall apart. Not so good for the characters but high on the scale of entertaining for us.

Episode 5 starts with the usual voiceover narration, only this time it's Herrick that's doing the talking. Interesting choice. It elevates Herrick from being the two-dimensional villain lurking in the background to being a person, maybe even one we should care about. And yet the more human he seems to be (he could probably teach our heroes a thing or two about being human) the more his evil acts stand out. He's not just the bad guy--he really is a monster.

In any case as Herrick narrates we see Lauren and Mitchell kissing before Mitchell stalks away. In a flashback we watch Owen visiting Annie's body in the morgue; he puts on a show of tears while he thinks he's being watched but as soon as he's alone a smug smile takes over. And finally we see Nina and George acting like any other normal couple getting ready in the morning. Yet George can barely take his eyes off Nina's horrible abdominal scars, a mixture of confusion and concern on his features (and maybe a hint of vengeance--or am I reading into it too much?)

After the introductory scenes we find Owen at the house, although I'm not sure why he would be there. Suddenly he sees Annie's reflection in a CD and hears echoes of screams. That freaks him out enough that he leaves in a hurry. It also gives Annie the idea, which she later relates to George, that she's going to haunt Owen. She thinks that's why she's still there (as a ghost). There's some nice camera work in this scene that carries over into the rest of the episode (I'm not sure if it's always been this way and I'm only now noticing or if it's a new style). Shots are filmed from behind objects giving the whole thing a very extemporaneous and natural feel. It's like we're voyeurs, not viewers, watching the details of someone else's life. I like it.

Annie practices her haunting techniques with George but she can't quite seem to get the hang of it. Especially if she wants to make Owen cry, beg, scream, and ultimately confess. She's such a sweet character and Owen is such a bastard it's difficult to conceive how she'll ever get to move on. Still, she feels ready enough to have George call Owen over with a fake plumbing complaint.

When Owen shows up he lets himself in. And finally comes face to face with the ghost of his murdered fiancee. At first Owen freaks. But as Annie gives a pretty decent rendition of the speech she was practicing with George, ending with a command for Owen to confess, something changes. Instead of being scared anymore he starts laughing. Then he starts mocking her. Annie is taken aback and visibly starts losing confidence, even flinching at his words. Owen clearly couldn't care less about her, dead or alive.

Later, after Owen leaves and George returns, Annie and George are left confused as to what she can do next. She decides she'd better pay Owen's new girlfriend, Janey, a visit, or else he'll eventually do the same thing to her that he did to Annie. When Mitchell finally shows up at home, Annie tries to tell him what's been going on but he's less than interested. I'm not sure what tips him off but George guesses that Mitchell is back with the other vampires. Mitchell tries to justify it, claiming it's different now--they're helping people. George and Annie can't believe what they're hearing. Mitchell goes off on an anti-human rant, claiming they're the real monsters and that he, George, and Annie could never be like them. As he speaks he points a knife for emphasis and as the camera focuses on the knife we get a glimpse of the dark side of Mitchell, something we haven't really seen. But he still doesn't seem truly bad. He's hurt and disenchanted and lost, and his actions are a response to that. Who hasn't been in his shoes? The problem is he can take his hurt feelings a lot further than the average person: For one, he can hand dying patients at the hospital over to Herrick for possible turning. Sure, they have the option of declining but how many people facing their own mortality would? How many would stop to really think about what the vampires are offering? Even Mitchell hasn't fully considered it.

Salvation for Mitchell arrives in the form of an old (literally) girlfriend, whom he runs into at the hospital. Now probably in her 60s or 70s, Josie is dying of lung cancer. She already knows about Mitchell so it's no big deal for him to suggest that Herrick speak with her. After all, Herrick wants people to turn and Mitchell wants to help someone he cares about. But afterwards Mitchell is surprised to find that Josie is less than impressed. She calls Herrick's offer a trick and claims the vampires are robbing people of their humanity by denying them mortality. She also says she believes that Mitchell asked Herrick to talk to her because Mitchell knew she would talk sense into him. Josie then finds George and warns him that not only is Mitchell in serious trouble but that the vampires are planning a major coup. Too bad George is at a complete loss about what to do.

After having his beliefs questioned by Josie, Mitchell goes looking for Herrick. Instead he finds a locked room in the basement of the vampires' lair. Breaking in he finds that the room is full of sickly, terrified people. They're been bled basically to death and one of them admits to Mitchell that when they arrived there were other peoples' clothes and toys already there. Creepy. Mitchell is horrified.

That's when Herrick and his goons find Mitchell and bring up a good point: what exactly did Mitchell think would happen once the vampires achieve their goal and all the humans are turned into vampires? They still have to eat and only fresh human blood works. It seemed pretty obvious to me that some people would have to be kept as, well, livestock but Mitchell acts like this is news to him. He announces that he can't do this and that he's out. But there's no walking away now. Mitchell realizes that Herrick will kill him and he accepts it.

Meanwhile, Annie's gone to warn Janey it's not working out so well. First Janey faints. Then she freaks and locks herself in the bathroom, where she refuses to believe anything Annie tells her. When Owen comes home Janey runs to him, crying and claiming she's losing her mind. He pretends he doesn't see Annie, all the while saying things to Janey that on the surface seem supportive but are actually meant to be hurtful to Annie. This is one seriously evil guy.

George comes home to a catatonic Annie on the sofa. She says that Owen's beaten her--she can't touch him. But George doesn't have time for self-pitying ghosts. He tells her that Mitchell needs her and if she can't get up to help him then she's done to herself what Owen could never do to her and she's finally dead. That does the trick. They head to the vampires' hangout even though they don't have a clue what they're going to do. They're greeted by Seth and tell him they want to see Herrick. Of course he refuses but there's an amusing exchange as he goes all fanboy over the fact that Annie is a ghost. George and Annie then bring out their pretty unimpressive fighting skills but they catch a break when Seth sees George's Star of David and shrinks back, giving George a chance to knock him out.

A minute later they burst in on Mitchell, Herrick and the other vampires and from there it's all chaos. They run through the building until Seth finally corners them. Out of nowhere he's staked from behind by Lauren. And the running starts again. When they get outside Lauren stops and tells Mitchell that she knows she's evil and she can't live like that anymore. Since Mitchell brought her into this world she wants him to take her out. At first he insists he can't do it but she basically begs him so he gives in, staking her. Just before she dies she says that Herrick needs to be stopped. It's a surprisingly touching and sad moment. After all the drama with Lauren I never expected her to be killed off, especially not by Mitchell.

It's a little surprising that the next scene features Owen, but it soon makes sense. He's brimming over with smugness as he lets himself into the house. Waiting for him inside are Annie, Mitchell, and George. He claims he got their message and then goes on a ridiculous diatribe about how getting away with murder has made him a god. It's pretty laughable when you consider who he's talking to but they keep silent as he goes on. Finally Annie speaks. She tells Owen he should have asked himself what else (besides ghosts) is out there. Her speech is much better this time, especially when she tops it off with whispering in his ear the "very worst thing in the world" that only the dead know. Then she advises him to find a safe place and never, ever turn off the light.

This time Owen leaves crying and freaking out, wandering the streets like someone caught in a really bad drug trip. Finally he ends up at a police station where he claims they need to keep him safe. See, he killed his girlfriend and now she lives with a vampire and a werewolf and they're going to torture him so he needs to be kept safe. Well, guess that's the end of Owen. It's slightly anticlimactic--I would have liked to see him gibbering in a cell or encased in a strait jacket in a padded room but knowing he'll face justice will have to do.

Back at the house Annie refuses to tell the guys what she whispered to Owen. Instead she's wondering what's going to happen next. Suddenly her door to the other side appears. As George starts panicking about losing her she doesn't want to go through the door but she knows she really should. As she hugs the guys and is about to open the door, there's suddenly a knock. She and George scream and Mitchell ends up laughing because the knock came from their front door. He decides Annie can't leave while someone's knocking, so he answers it. And there's Herrick with a stake, which he proceeds to drive into Mitchell's chest.

Herrick can't come in so George slams the door on him. Mitchell is bleeding a lot and is clearly dying. Annie is panicking. George takes charge and calls for help while telling her to go through her door while she can. As Annie looks back and forth between her door and Mitchell the entire scene fades to white.

So did she go through? Is Mitchell going to be okay? How do you save a vampire who's been staked? And how the hell is anyone going to be able to stop Herrick? Don't you love a show that can keep you guessing?

Fang Files

Appearance: Human, until the vampire emerges--then pure black eyes and sharp, prominent fangs. A dead vampire turns to ash.

Strengths: Organized, loyal to one another.

Weaknesses: Cruelty, insistence on conformity. Stakes. They shrink back from religious symbols (e.g., a star of David). Can only be satisfied by fresh human blood.

Mythology: Vampires have lived in Bristol (UK) since the 1630s and have been prominent citizens in the government. A vampire needs an invitation into a private residence.

Sound Bites

Mitchell: [to Herrick and the other vampires] I just want to say thank you for taking me back. I've seen what humanity is really like and this is where I belong. I'm home now.

Herrick: Our very existence is a union of life and death.

Annie: [re: haunting Owen] It's not just about justice--it's more...jagged than that.

Mitchell: [re: turning people into vampires en masse] It's evolution.
Josie: Never a birth. Never a death. That's not evolution--that's full stop.

Mitchell: [As Annie is about to go through her door to the other side] You're lucky. Most people don't get a chance to say goodbye.
Annie: I know but...fucking hell!
George: You might want to have different last words.

Being Human (UK), Season 1 Episode 5. Written by Toby Whithouse. Directed by Colin Teague. From The BBC.